Saturday 20 January 2018

Veteran Journalist Prof Dr N K Trikha passed away in a hospital in Delhi on January 15, 2018. He was 82.
He had worked in senior positions in the Times of India group for 29 years as Editor, Senior Assistant Editor, Special Correspondent, Diplomatic Representative, and a columnist of the Narbharat times from 1963 onwards. He has written 4500 articles published in practically all the noted English and Hindi periodicals of repute.
I met him quite late in the day but I have been aware that he had been a towering personality in the field of journalism covering all the major political events and crisis in India and Nepal. Prof Trikha was a regular presenter of news and features over Radio and Television. His books have been good sources of information and knowledge for journalists, journalism teachers and politicians alike.
Prof. Nikha was a source of inspiration for media schools. He was a pillar of strength for the academic institutions like the Makhanlal Chatruvedi National University of Journalism and Communication, Bhopal. He has penned valuable books such as on Reporting. He was the Chief Editor and Chairman of the Hindustan Samachar. He has been twice a member of the Press Council of India, Member, National Wage Board for Working Journalists, and Secretary, Lok Sabha Speakers’ Press Advisory Committee.
We indeed lost a veteran journalist and an activist working for us the journalism professionals and media teachers. kt


Friday 19 January 2018

Third edition of हाकारा।hākārā is launched

Following from Dr Ashutosh Potdar:

We are happy to announce the launch of third edition of हाकारा।hākārā: आता\Now.We are grateful to our contributors, readers, viewers across the globe for their fantastic support!
‘आता।Now’ edition covers a wide range of forms, genres of writing in Marathi and English across diverse practices and contexts:

Fiction: Haruki Murakami, Ashutosh Potdar, Avishkar Ravindra, Shrenik Mutha, Aarati Ranade &  Maitreyi

Drama: Ramu Ramanathan,Omkar Govardhan

Poetry: Shrikant Deshmukh, Ankita Anand, Ritika Prasad, Mangesh Narayanrao Kale, Rhea Nath, Chanakya Vyas, Medha Singh, Sagar Deshmukh,

Visual Narrative: Prajakta Potnis, Kush Kukreja, Anjana Kothamanchu, Eva Bubla, Sarita Chouhan.

Reviews: Amit Dharwadkar On Barometer, Mithul MT on Annual Display of SN School of Arts, Ashutosh Potdar on Shrikant Deshmukh’s “Bolave Te Amhi..”

Essays: Rashmi Sawhney on Cinema and History, Sach Wry on ‘Now’, Peter Brigg’s reflections of artistic practice.

Do give us your feedback.

Submit your work for our new edition on खळबळ/Chaos.

Please visit www.hakara.in for more details.

Ashutosh Potdar & Noopur Desai
Editors, हाकारा।hākārā

(हाकारा।hākārā is a peer-reviewed bilingual journal of creative expression published in Marathi & English.)

-- 
Dr Ashutosh Potdar
Associate Professor,
FLAME University,

Lavale,

Pune-412115 (India)

Tel: +91-20-67906133

Mobile : +917387005358
www.flame.edu.in
My Blog: http://ashupotdar.blogspot.in/
Journal Website: www.hakara.in

Monday 8 January 2018

Vacancies of Research Assistants/Associates at MICA

Following is from Mr Rahul Gadekar ( rahul.micore@micamail.in ) ,

There are vacancies of Research Assistants/Associates in Communication Area of MICA. These are contractual positions those can be renewed every year till three years. 
Interested candidates can send their CVs to
or

at the earliest. 


Wednesday 3 January 2018

Conference Call: Performance making and the Archive

Following from Dr Ashutosh Potdar, Associate Professor, FLAME UniversityPune

CONFERENCE CALL
Performance making and the Archive 
16th 17th March 2018
This conference is interested in a conversation on the nature of the archive and its transformation within the context of performance making. Theoretically performance has been understood as ephemeral, located in the present, bearing affective excess, having transformative powers, identified as disappearance etc. Its material absence has been at the heart of these theoretical formulations. On the contrary, it has also been understood as ‘circulation of representations of representations’ and the romanticism around its liveness has been argued over.
Within this gamut of arguments and counter arguments and epiphanies that mark human passion and obsession with performance making, how do we begin to look at performance (here used very broadly)? Especially performance which works with the archive and historical consciousness as its material – performance that is interested in the document. Do we consider such performances, a confluence of the past and the present? Against this background, we look forward to a dialogue between artists, archivists and researchers.
We aim at investigating intersections of past and present, archive and its relationship to the process of creating and showing a performance. Looking at how archival practice transforms to performing arts practice, we would like to study how it becomes a fruitful platform of stimuli or a provocation for artistic work (especially performance art and theatre) and theoretical discourse around practice of performance. Addressing intersection of pre production research work, engagement with the team of performing artists, dramaturgical mediations and directorial perspectives and reception of performing arts, we plan to highlight the existing dialogue between archive, research and creation in the contemporary context.
Broad concerns:
  • Performance, ephemerality and archive
  • Performance design and archive
  • Playwright, director, actor, audience and the document
  • Archival practices and artistic processes
  • Role of an archivist, archival practices, and dramaturgy
  • History, archive and performance making
  • Documentation as 'artistic' practice
  • The ‘material’ of performance
We invite speakers from the disciplines of performing arts, art history, history and archiving as well as practitioners from artistic fields such as theatre, visual arts, performance art. Presentations will be a standard conference presentation of 20 minutes followed by discussion. Written papers from the conference would be considered for being published as a book on ‘Performance-making and the archive’. 
Proposals are due on: 10TH FEBRUARY, 2018. Please submit abstracts of 250-300 words to: performingarchive@gmail.com. The conference is scheduled for the 16th and 17th of March at IIT Bombay, Powai.
This is an Inlaks Asia Art Archive funded project on Archive and the Arts and is supported by the Department of Humanities and Social Sciences, Indian Institute of Technology, Bombay. The project has been conceptualised by Sharmistha Saha and Ashutosh Potdar..
Sharmistha Saha is a scholar and theatre director. She is assistant professor at the Department of Humanities and Social Sciences, Indian Institute of Technology, Bombay. Her research interests include performance studies, performance philosophy, theatre historiography, aesthetics and politics.
Ashutosh Potdar is a scholar and creative writer writing in Marathi and English. He is associate professor at the FLAME University, Pune. His research interests include colonial theatre history, narrative science, theatre and performance studies. 
--
Dr Ashutosh Potdar
Associate Professor,
FLAME University,
Lavale,
Pune-412115 (India)
Tel: +91-20-67906133
Mobile : +917387005358
www.flame.edu.in
Journal Website: www.hakara.in